New public art installation in my favorite corner of the outer beyond. Entitled “Crossroads,” it explores the intersection of American car culture with life outside the supervision of the bourgeois state. The artist used found materials, relocated them into a novel context, and modified them with a traditional blend I call “trail mix,” consisting mostly of mostly 22LR with two magazines of .308 and a few shotgun slugs.
And this heroic craft steamed far up into the foothills, 10 miles from the nearest navigable waterway, before it finally ran aground in the Marijuana Highlands.
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