“Athletes don’t lift with their muscles,” writes Alexey Faleev. “They lift with their heads.” He makes zero effort to separate physical performance from the athlete’s thoughts, moods, and happiness. In this, he is following some other great Russian physical culturists. The “father of Russian hockey,” Anatoli Tarasov, tracked key statistical indicators like a true scientifically Marxist Soviet planner long before the Moneyball revolution in America, but he trained his players to approach their hockey as a beautiful act of creativity. He kept them mindful that playing hockey is supposed to give you joy. Otherwise, why play games at all? Famously, he would call out to his players on the ice, “Smile! You’re playing hockey!”
Accordingly, Faleev loves to talk about how to get into “the zone.” Except he calls it vdokhnoveniye, “inspiration.” I love it!
“There are different practices to achieve ‘inspiration,’” he says, “but they all boil down to regulating the pulse.” (Remember what we said? Faleev doesn’t differentiate between mental readiness and physical readiness!) To get “inspired,” you need to maintain your pulse in its optimal range. Above that range you can get ragged and sloppy. Worse still, below that range you’ll be understimulated and too sluggish and unfocused to do your best.
He illustrates with a story from sports psychologist Anatoly Alexeev about his work with the Soviet shooting teams.
At the national trap shooting championship, Alexeev approached one of his athletes as she stood on the firing line shortly before the final round. He noticed something “off” about the athlete, so Alexeev took her pulse. “As expected,” he wrote later, “it was just 88 beats per minute,” much lower than her optimal 124 bpm. “Quick, give me the gun!” he snapped. “See that birch tree over there? Sprint there and back. Now! Go!” Confused, afraid, and a little irritated with Alexeev, the athlete did as ordered, came back with her pulse suitably elevated, and went on to demolish her opponent.
What’s your optimal range for “inspiration?” It differs by sport and athlete, but if you want my opinion, a good formula for strength sports is 160 beats per minute minus your age. Stay within +/- 5 beats per minute and you’ll be good. (Keep in mind, I’m nobody. This is just one mid-level amateur’s opinion.)
“So,” you ask, “does that story mean I should do sprints before a workout or competition?” No! That was an emergency measure. Faleev says that you should get up to your sweet spot in some way that doesn’t involve using your legs, which would tire you out.
How creative can you get? Weightlifter Yuri Vlasov, the great Soviet sportsman of his generation, was a bespectacled poetry fan. Just the kind of “muscular intellectual” we like here at Lean, Solid Dogs! To bump up his heart rate before big attempts, Vlasov would silently recite macho, stoic verse like Emile Verhaeren’s poem “The Sword” (Le Glaive): “Your body, where the blood of unsullied ancestors sours, / fragile and clumsy, will break itself with each effort / You will be the febrile man bent upon the windows (??) / whence we can see leaping life and its golden chariots.” Damn, get me to a barbell! I’m inspired!
If you are not as literary as Comrade Yuri Petrovich, who did wear pop-bottle glasses after all, Faleev recommends shadow-boxing or “fast and loose” drills. They will elevate your heart rate suitably without fatiguing you.
In our next installment, Faleev’s dark arts of applied yoga.